Despite having been in theaters for just a week, the film’s reception has been sharply polarized. Film enthusiasts interpreting the narrative online often develop diverse perspectives regarding its cinematic elements. The director has previously discussed this topic (and how they approached it), so now it’s the turn of a crucial behind-the-scenes contributor to weigh in with their thoughts.
As Arthur Fleck, now incarcerated at Arkham Asylum following Lee’s devastating rejection, is left to ponder his shattered dreams and future, he is unexpectedly approached by a mysterious fellow inmate, portrayed by Connor Storrie, who had been observing him with increasing interest throughout the film. As the inmate shares a morbid joke with Arthur, he severs all hope, plunging the victim into an abyss of suffering before embarking on the gruesome task of inscribing a Glasgow smile upon his own ravaged visage. He’s eerily adopted the enigmatic persona of the Clown Prince of Crime, now embracing the anarchic spirit of chaos and disorder that defines his own twisted existence.
When conversing with Storrie, she casually remarked that she likely isn’t surprised the tip has garnered a following, perhaps stirring up a certain emotional response among its enthusiasts. As many others, he initially struggled to process the revelation that this could be a musical, grappling with the unconventional essence of the primary material’s rawness and edginess. While his involvement has undoubtedly sparked intense debate, the validity of these polarized perspectives is arguably justified in certain aspects. “While I’d prefer issues to be polarizing rather than boring or crystal clear,” he said. “You won’t take such a dramatic risk without realizing it gives others the opportunity to question or even challenge your choices.”
While praising Phillips’ bold move, Storrie noted that he never considered it a secret origin story. Despite his pivotal role in dispatching Arthur, it seems he was oblivious to the profound consequences that would unfold within the film’s narrative. Notwithstanding his understanding of Joker’s magnitude, he failed to grasp the implications of the ending, neglecting to contemplate its potential repercussions or possible directions the story might take. As evident as could be, this was Joaquin’s project, and I occupied a specific role within it. It’s a pivotal aspect of Arthur’s narrative that transcends its relevance to the subsequent events.
is now enjoying in theaters.
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