Throughout its two seasons, it grew to become widespread to explain Andor as “not like Star Wars.” Sometimes a praise, this phrase was a straightforward shorthand to make use of, and it’s taken on larger that means now that its forged and creatives can communicate extra freely about what stayed on the reducing room flooring.
Creator Tony Gilroy has lately mentioned his lively option to not have the present function future key gamers like Palpatine, Darth Vader, or Rogue One protagonist Jyn Erso. Finally, he thought together with any of the three would’ve been pointless or overindulgent and in Jyn’s case, “disrespectful” to her authentic look. It’s a stunning stage of restraint that Star Wars hasn’t all the time been the perfect at exercising, and regardless of how disappointing it could be to followers of these characters, it was finally the appropriate name. The franchise tends to get a little bit too cute with its callbacks and cameos, and when it indulges in fan service, it actually indulges. (There’s a cause why Rise of Skywalker rapidly grew to become derided as “written and directed by Reddit.”)
That Star Wars is in fixed dialog with its fanbase isn’t inherently dangerous, and far of it wouldn’t exist with out this strategy. However the way in which Andor goes about it’s extra one-sided, as an alternative reminding audiences that it’s in cost and telling them to satisfy it by itself phrases.
This was, based on Gilroy, a acutely aware resolution: he revealed in 2022 he instructed his writers and crew to deal with this like every other present as an alternative of a Star Wars present. “We advised folks, ‘Do your factor. You’re right here as a result of we would like you to be actual.’ […] It actually will get into folks’s heads, however to alter the lane and do it this manner, it takes a little bit effort,” he mentioned to the Hollywood Reporter.
In some methods, it feels just like the present was made in isolation from its personal mothership franchise and any concept of what the reactions can be like—for higher and worse—however it may simply simply be how locked in Gilroy and firm had been throughout manufacturing. He’s on document as taking Star Wars severely and treating the setting and characters with actual, thoughtful intent. In lots of circumstances, which means working forward of the viewers, like crafting Kleya and Luthen’s backstories so viewers wouldn’t suppose they had been sleeping collectively, or treating Cassian’s lacking sister Kerri as a thread in his life that he’ll simply need to dwell with being unsolved.
In one other present, or possibly the identical present however with extra time, Cassian most likely would’ve gotten a definitive reply earlier than flying off to start Rogue One, and with how espionage-focused this all is, Kerri would both need to be a secretive Kleya or a lady within the ISB or one other insurgent group with a selected curiosity in him. These, or making Cass’ childhood droid B2 into his grownup droid companion K2SO, would’ve been considerably comprehensible (albeit fully unusual) cleaning soap opera-esque twists in one other present, however they wouldn’t be proper to how Andor operates.
Fan theories typically contain characters getting a contented ending or what they need to some extent, and Andor isn’t actually the kind of present the place these ideas are allowed to foster and absolutely take form. A repeated throughline for a lot of of its characters is their being denied the prospect of a future they wished or might not have realized was doable till it was too late. For probably the most half, that’s meant a grim destiny of some sort awaited them; Syril Karn’s much-predicted change of coronary heart for the Ghor was by no means going to manifest in some betrayal of Dedra or becoming a member of the Rebels—as actor Kyle Soller tells it, being killed was the appropriate end result for his character. However those that make it via to the present’s finish don’t get off unscathed, since their remaining appearances are punctuated with an undercurrent of bittersweetness or darker, sadder conclusions to their tales.
Andor is a matter-of-fact present, and it isn’t making an attempt to get a deliberate response out of audiences the way in which different reveals do, Star Wars or in any other case. It was, before everything, involved with telling the story of Cassian’s development right into a distinguished insurgent chief and the way these caught in his orbit had been formed by his actions. It didn’t care what the viewer thought as a result of it knew it had the products, and that confidence positive did repay.
